MONOLITH.

Issue 01 · Autumn 2026 · Six buildings, no photographs

Weight, light, and the line between them.

An architecture quarterly set on a twelve-column grid. This issue: a tower the city tried to demolish, a house with four holes in it, a library you fall down, a chapel without a door, a defence of the humble stair, and a pavilion nobody asked for.

Begin with No. 01 →

Cover drawing: an elevation of four concrete volumes of different heights against a datum line DATUM +40.00
Fig. 0 — Four volumes, one datum. Drawing by Tomas Reber.

Contents

Six articles, roughly four hundred words each. Footnotes sit in the margin where there is room for them, and below the paragraph where there is not.

  1. Civic Basel · 6 min

    No. 01: The Weight of Concrete

    Halle Nord was meant to be demolished in 1998. Twenty-eight years later the city has learned to lean on it.

  2. Housing Winterthur · 5 min

    No. 02: A House With Four Courtyards

    On a plot too narrow for a garden, the Keller house turns inward four times and comes out lighter than its neighbours.

  3. Culture St. Gallen · 6 min

    No. 03: Reading in Section

    The Bibliothek am Hang has no floors, only a single stepped slope. The librarians say it has changed how people browse.

  4. Sacred Andermatt · 5 min

    No. 04: The Chapel That Refuses a Door

    On a pass above Andermatt, a concrete gable with a single red slot asks visitors to decide for themselves whether they are inside.

  5. Essay Zürich · 5 min

    No. 05: Stairs as Argument

    A stair is the only part of a building that tells you what the architect thinks of your body. An essay on treads, risers and persuasion.

  6. Landscape Chur · 5 min

    No. 06: The Pavilion Nobody Commissioned

    Three students built a timber box on a disused rail siding in Chur. Two summers later the city is trying to work out how to pay for it.

Editorial

We do not print photographs. A photograph tells you what a building looked like at eleven in the morning on the day the photographer came. A drawing tells you what the architect meant. We prefer to argue with intentions.

— Ilse Brandt, Editor

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